Vainglorious Bastard; The Sin Of Vainglory Chapter 3; Superego's Vainglory, Supervanity

As superlatively superfluous as the Supervanity, Vainglory, was, he was still rather keen on bringing all his now quite elaborate and grandiose plans that he'd quickly come up with to fruiting and completion, to create a spectacle for himself, because he could, whether or not anyone else witnesses or experienced it.

So, with all such transcendental enlightenment, revelation, and epiphany from his apotheosis, Vainglory would maintain his status as an epoch further by using all that information he was feeding on at speeds beyond speed by translating them literally from information into direct manifestation, from the open portal of light on his body. Wherever the light would so shine, in all its array of rays, his manifestations would become, first from photons and then transitioning into any other particle of any level of particularity simply because his own charges were enough to overpower them and polarize them to his will, letting him command them as if he, himself, -was- the nucleon.

"Okay, Let Me Just Organize My Notes For My Research Studyyyyy..."

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Vainglory (Vanity): "'High Places' Made As Altars In The Mind, Heart, Body, With Materials And Possessions."

Vanity (Vainglory): "Fool's Gold (Gold Cherry); Pride -- Knockoff Of Vainglory, Trying To Be Vainglory, When Only Vanity."

Belial (Vainglory/Vanity/Pride): "Worthless Aggrandizing Of What Is Of No Use, Value, Or Importance, Because They (Who Are Worthless) Value It, Despite Having No Value Or Worth To Even Be Considered Valuable Or Evaluable At All... Typically With Haughtiness, And Can Appear In Those Who Do Have Worth Or Know How To Be Vain About What Is Worth Something; A Sign Of A Flaw And Defect In What Should Be Able To Perfectly See And Correct It, If They Are Actually Worthy."

Black Cherry (Lilith): "The Effect When Applied To Womankind, Which Generally Is Geared Toward Sexual Pleasure, And Anal Stimulation, Or Symbolism Of Belittling What Is Beneath Her By Anal Pleasure."

Natural Incursions: "Sloth, Greed, Money, Value, Worth, Richness, Abundance, Wealth, Acknowledgement, Recognition."

Effects: "Ignorance, Arrogance, Blindness, Deafness, Senselessness, Disproportionate, Imbalanced, Unstable, Insecurity, Unfairness."

Characteristics: "False Light, Selfish, Egotistical, Self-Empowerment, Conceitedness, Spoiledness, Decay, Ascent, Deterioration, Degeneration, Entitlement, Pious, Self-Righteous; All Of The Above."

Lucifer (Original): "Know-It-All, Which All Vainglory Returns, For God's Purposes, And Not Its Own -- Its Own Service To Itself Is The Chance To Exist At All Independently And Freely, Independent Of God's Will, For However Long It Can, Before Permanent Subservience By Returning To Him." , Etc. Notes And Tearing Down Mental, Spiritual, Physical, Etc.

Purpose: "Destroys 'Belphegor's Gap' And Those Who Are Mounted On Said Altar (Via Monetary Or Financial Unfairness) -- That Is, It Magnifies Itself And Its Value And Worth, Which Are All Worthless In Retrospect, To Amplify Itself To Overpower And Fill Everything, Then Purge Them Clean, And Settle At A Level Higher After Wiping Out All Sin And Debt From Sin, Sinners, And Every Wicked Thing Regarding Sin. Comparable To The Flood Of Noah, When The Waters Leveled, And Receded, But The Oceans Were Higher, And No Longer Low Waters, Permanently."

Vanity

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Vanity is the excessive belief in one's own abilities or attractiveness to others. Prior to the 14th century, it did not have such narcissistic undertones, and merely meant futility.[2] The related term vainglory is now often seen as an archaic synonym for vanity, but originally meant considering one's own capabilities and that God's help was not needed, i.e. unjustified boasting;[3] although glory is now seen as having a predominantly positive meaning,[citation needed] the Latin term from which it derives, gloria, roughly means boasting, and was often used as a negative criticism.

Religion

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In many religions, vanity, in its modern sense, is considered a form of self-idolatry in which one likens oneself to the greatness of God for the sake of one's own image, and thereby becomes separated and perhaps in time divorced from the Divine grace of God. In Christian teachings, vanity is an example of pride, one of the seven deadly sins. Also, in the Baháʼí Faith, Baha'u'llah uses the term 'vain imaginings'.[5]

Philosophy

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Philosophically, vanity may be a broader form of egotism and pride. Friedrich Nietzsche wrote that "vanity is the fear of appearing original: it is thus a lack of pride, but not necessarily a lack of originality."[6] One of Mason Cooley's aphorisms is "Vanity well fed is benevolent. Vanity hungry is spiteful."

Symbolism

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In Western art, vanity was often symbolized by a peacock, and in Biblical terms, by the Whore of Babylon. During the Renaissance, vanity was often represented as a naked woman, sometimes seated or reclining on a couch. She attends to her hair with comb and mirror. The mirror is sometimes held by a demon or a putto. Symbols of vanity include jewels, gold coins, a purse, and the figure of death.[citation needed]

Some depictions of vanity include scrolls that read Omnia Vanitas ("All is Vanity”), a quotation from the Latin translation of the Biblical book of Ecclesiastes.[8] Although the term vanitas (Latin, "emptiness") originally meant not obsession by one's appearance, but the ultimate fruitlessness of humankind's efforts in this world, the phrase summarizes the complete preoccupation of the subject of the picture.

"The artist invites us to pay lip-service to condemning her," writes Edwin Mullins, "while offering us full permission to drool over her. She admires herself in the glass, while we treat the picture that purports to incriminate her as another kind of glass—a window—through which we peer and secretly desire her."[9] The theme of the recumbent woman often merged artistically with the non-allegorical one of a reclining Venus.


As portrayed in classic literature, Alexander Pushkin's Eugene Onegin. Illustrated by Elena Samokysh-Sudkovskaya.
In his table of the seven deadly sins, Hieronymus Bosch depicts a bourgeois woman admiring herself in a mirror held up by a devil; behind her is an open jewelry box. A painting attributed to Nicolas Tournier, which hangs in the Ashmolean Museum, is An Allegory of Justice and Vanity: a young woman holds a balance, symbolizing justice; she does not look in a mirror or the skull on the table before her. Johannes Vermeer's painting Girl with a Pearl Earring is sometimes believed to depict the sin of vanity, because the young girl has adorned herself before a glass without further positive allegorical attributes.

All is Vanity, by Charles Allan Gilbert (1873–1929), carries on this theme. An optical illusion, the painting depicts what appears to be a large grinning skull. Upon closer examination, it reveals itself to be a young woman gazing at her reflection in the mirror. In the film The Devil's Advocate, Satan (Al Pacino) claims that "vanity is his favourite sin".

Such artistic works served to warn viewers of the ephemeral nature of youthful beauty, as well as the brevity of human life and the inevitability of death.

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Vanitas (Latin for 'vanity') is a genre of art which uses symbolism to show the transience of life, the futility of pleasure, and the certainty of death. The paintings involved still life imagery of transitory items. The genre began in the 16th century and continued into the 17th century. Vanitas art is a type of allegorical art representing a higher ideal.

The word vanitas comes from Latin and means vanity. Vanity is referenced in the Bible's Old Testament in Ecclesiastes 12:8, "Vanity of Vanities, saith the preacher, all is vanity". The message is that human action is temporary and faith is forever.

Vanitas is a sub-genre of still life painting which Dutch painters during the Baroque period (c.1585–1730) employed. The Spanish painters also created vanitas paintings which coincided with the end of the Spanish Golden Age. Memento mori is a similar theme which when translated from Latin means, "remember that you will die."

A group of painters in Leiden began to produce vanitas paintings beginning in the 16th century and they continued into the 17th century. Vanitas art is a type of allegorical art representing a higher ideal or containing hidden meanings. Vanitas are very formulaic and they use literary and traditional symbols to convey mortality. Vanitas often have a message that is rooted in religion or the Christian Bible.

In the 17th century the vanitas genre was popular among Dutch painters. The paintings often have symbolic imagery which attempts to convey the message that we will die, and we should think about futility of our earthly pursuits. The well known Spanish vanitas refer to Spain's rulers and the politics of Spain. It was popular to include skulls in vanitas paintings. In the 17th century, a skull symbolized the ephemeral nature of life.

Vanitas vanitatum.

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Superego And Vainglory (Supervanity)

Food
-Ego
-Vanity
-Pride

I. Defensive
II. Perceptual
III. Intellectual - Cognitive
IV. Executive
V. Conscious Awareness
VI. Sense Of Self
VII. Judgment
VIII. Tolerance
IX. Reality Testing
X. Control
XI. Planning
XII. Synthesis Of Information
XIII. Intellectual Functioning
XIV. Memory
XV. Denial
XVI. Displacement
XVII. Intellectualisation
XVIII. Fantasy
XIX. Compensation
XX. Projection
XXI. Rationalization
XXII. Reaction Formation
XXIII. Regression
XXIV. Repression
XXV. Sublimination
XXVI. Undoing
XXVII. Suppression
XXVIII. Dissociation
XXIX. Idealization
XXX. Identification
XXXI. Introjection
XXXII. Inversion
XXXIII. Somatisation
XXXIV. Splitting
XXXV. Substitution
XXXVI. Self-Esteem
XXXVII. Self-Worth
XXXVIII. Conscious-Thinking Self
XXXIX. Cognitive Function
XL. Interpersonal Skills

Uses
I. Conscience (Protocol/Algorithm)
II. Punisment
III. Appropriation
IV. Control (Self-Control)
V. Conflict
VI. Godhead (Father)
VII. Morality
VIII. Proscription
IX. Domination (Dominion)
X. Unconscious
XI. Origin
XII. Systematic
XIII. Keter
XIV. Keter
XV. Code
XVI. Preconscious
XVII. Conscious

I. Cause
II. Effect
III. Result
IV. Resolution
V. Aftermath

It's a buildup -AND- breakdown process -SIMULTANEOUSLY- so just be smooth and ignore them, but like, secretly not be ignoring them -- ONLY observe them, but pretty much shun them completely in every other way, then as they are falling apart, you just mind your business and do your job and they'll just get hurt by you hurting them, especially if you start getting praise over them by someone that they hate.

"They May Attempt To Beg And Plead With You, But You Are To Ignore Them Because They Not Only Have Nothing That You Want, But They Also Will Reveal Further Weakness The More You Reject Them That You Can End Up Using To Your Advantage As Long As They Continue, Just As With The Simple-Minded Targeting They Do With Me Where I Establish Cornerstones To Build From When Creating Their Tombs."

The fact that he wants to -BE- someone else at -ALL- is a sign that he is trying to run away from himself in order to avoid killing himself, but all you have to do is go to where he runs to and jump ahead of him, like Envy tries to do. Just jump right in front and cut him off after you see him run somewhere at all. The fact that he's trying to be a woman means that he's already emasculated and believes that she is greater than his own manhood, which can be used as a weapon against him (to strike at his genitals).

"They Feel As Though Being Considerate To Them Means They Are To Sin."

"If Your Love For A Sinner Drives You To Sin, Your Heart Is Part Of Their Sin And You Will Become Corrupted By Your Weakness." *To THEIR Sin

"Still Trying To Slow Me Down For The Sake Of Vanity. Blind And Slow."

"Will Use Against Others Through The Afflicted To Tamper With The Lights In The Sky -- Will Break Lesser Lights."

"Oh, Looks Like The Humans Will Be Nice And Reflective Mirrors Of Vanity Right Now, So If They Are Being So Vain, If I Am To Display A Projection Of Myself To Make Them Perceive It As Vanity, I Can Easily Crack All Of Their Mirrors With An Overload And Cause A Lot Of Humans To Become Delusional And Blinded To Their Own Vanity. It Can Easily Damage Their Psyches Permanently, And That Should Be Pretty Fun, If They're Gonna Be So Vain! Teeheehee~!"

"... Celebrities Are Too Concerned About Their Images. If I Was A Celebrity, I Would Go Do Random Publicity Stunts For -FUN-, Not For The Publicity. As A -Fucking Around- Type Deal, Not Cash-Grabs Or Whatever. Like, Do A Fucking... Car Insurance Commercial. Or Appear At An Amusement Park. Sponsor A Restaurant. Like... Fame + Money = A Lot Of Fun Shit. But, See, Celebrities Are Just Dumb Humans, So They Don't Even Really Know How To Enjoy Their Assets. Even If They Think They Do."

"... When People Have Money And A Service Lots Of Other People Use, They Start To Think Themselves Invincible, And They Get Very Careless And Wasteful Very Quickly And Easily. Which Is What We Have Here With Facebook. It's Actually Incredibly Sad, But I Need To Take Advantage Of That Crippling Weakness In All People Who Have Money, So I'm Not Correcting It Because I Don't Want To Have To Work Too Hard To Snatch It."

I. "The Words Of The Blessing Of Enoch, Wherewith He Blessed The Elect ⌈⌈And⌉⌉ Righteous, Who Will Be Living In The Day Of Tribulation, When All The Wicked ⌈⌈And Godless⌉⌉ Are To Be Removed."

II. "And He Took Up His Parable And Said--Enoch A Righteous Man, Whose Eyes Were Opened By God, Saw The Vision Of The Holy One In The Heavens, ⌈Which⌉ The Angels Showed Me, And From Them I Heard Everything, And From Them I Understood As I Saw, But Not For This Generation, But For A Remote One Which Is For To Come."